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Ali
"Dubfire"
Shirazinia--one half of the Grammy Award winning and four-time nominated
electronic music duo Deep Dish--has joined forces with
Global Underground for the April 10 release of his first solo mix album
Dubfire GU31 - Taipei. The 2-CD mix set is a sweeping change from
anything you would have previously expected to hear from the Deep Dish
member and it features the finest in house, electro, techno, and even
industrial music.
Growing up in the Washington, DC area, Dubfire spent much of his youth
playing the guitar in school bands and listening to heavy doses of
classic Hip-Hop, jazz/rare groove, dub reggae, new wave and industrial.
Dubfire was also influenced by the local punk scene and the music of
hometown bands like Fugazi and Minor Threat.
Members of these bands also worked at a local record store called
Yesterday And Today Records, and this is where
Dubfire first picked up on the sounds of acts such as: "Kraftwerk,
Ministry, Jesus & Mary Chain, Depeche Mode, Nitzer Ebb, Adrian
Sherwood/On-U Sound and Einsturzende Neubauten".
Through this heavy industrial influence, namely the sound
of Chicago's famed Wax Trax! label, Dubfire discovered the
Chicago house scene and what labels like Trax and D.J. International
Records were releasing.
Accolades for Dubfire’s productions have flowed thick and fast – from
Mixmag (including being asked to mix the magazine’s prestigious cover
mount CD), DJ Mag and Raveline (featured on the cover of both),
to IDJ, Groove, Beatportal, Resident Advisor, and many more. And
that’s just the press. His DJ and producer peers have afforded tracks
such as ‘Roadkill’ and ‘RibCage’ burgeoning
acclaim, in both chart reactions and interviews. Such critically (and
commercially) successful productions have served as monumental openers
for Dubfire’s new digital-release-only label, Science + Technology
Digital Audio (SCI + TEC). Initially formed as the exclusive outlet for
Dubfire's solo productions, it will grow to incorporate releases
from some of his favorite emerging and recognized artists from around
the globe.
With
distribution and download partners including Beatport, iTunes,
and Zebralution, SCI+TEC has quickly established an international
reputation as a label that no discerning electronic fan should miss.
Asia, Europe, South America, the US, and the Southern Hemisphere – all
continents have rocked to Dubfire’s superlative DJ skills in the
past 12 months. But filling the finest international clubs is one thing,
keeping a floor packed for over 9 hours takes only the very best (just
ask those lucky clubbers who experienced this at Brazil’s Warung
earlier this year). And with barely enough time to rest his headphones
in January, Dubfire was off on the road again once more; with an
ever-present hunger for touring flowing through his veins, 2008’s diary
was proving to be the busiest yet.
Dubfire’s change
in direction has also spawned new creative partnerships, as well as
resurrecting old ones: his reworking of Ritchie Hawtin’s
percussive opus and (beyond) classic 90’s track, ‘Spastik’
(original recorded under Hawtin’s Plastikman guise) has been
released on M-nus, along with a new production entitled ‘Emissions’,
also featured on the label’s recent compilation,
‘Expansion-Contraction’.
With
the success of original productions, his remixes, and extensive tour
dates, one thing is abundantly clear: based on the current state of
play, Dubfire is one of 2008’s most exciting musical visionaries.
Refrences:
www.deepdish.com
www.thedjlist.com
Edited By:
Kouros N Nasseri- Sound
Planet- Tehran

Interview By:
Kouros N Nasseri- Sound Planet-
Tehran
Photos & Publishing:
Shideh Amerian
Thank You very much for the interview; as we know you are famous, but
can I ask you to give us a short biography for our audience & the genre
you are working on?
Well
I started making music professionally since I was 18 & I started out as
many people know in a duo with "Shahram Tayebi" (
Sharam ) called " Deep dish ". We released two artist
albums & a number of Compolations and over the last two years we
sort of branched out in separate directions to pursuit some sort of a
solo carrier & in some point in a very near future we’re gone get back
together as Deepdish & record a new album.
Can
you tell us about your new releases & the new tracks or albums and also
are they new plans in your professional future, specially related to
your separated work from Deepdish?
I
don’t push on thinking to much what I’m gonne do, I kindda feel my way
through the work and I'm very instinctive of what I’m going to do, so
you know there is no master plans as a lot of people have & there are no
general ideas about what I wanna achieve, I have a general ideas the
direction I’m gonne go in , but I don’t really map out any thing to do
with my carrier & I think its important to have sort of instinctive
feeling, & its almost doing it but doing blind, & you will find your own
way around .
What is your idea about the new generation of music production related
to the new ways of net access & downloading that may harm or destroy the
artist's achievement & business?
The
problem is not downloading, it's illegal downloading music; you know in
many ways the technological revolution that we witness with the internet
& popular rising the spread of the electronic music & other kinds of
styles to all corners of the globe. I think it really helped promoting
our music in a number of different places & without this technology I
think its very difficult for people to have access to all the great
music what's out there, so I think its really spread & promoted &
specifically electronic music all around the word, but its when you
start getting into illegal down loading & sharing files where the artist
who try to make living by making music, suffers the most.
Let me ask you a general question about the hit: "Road kill",
that how was it made possible & was there a specific idea about how it
starts to be produced? As you know better that it’s the hit of the
year.
It was
just something I did the same time that I did my other song "Rib
Cage" and you know I wanted to do two completely different
tracks ,one kind of very Underground & more sort of the Techno audience
& with "Road kill", I wanted to do something strictly for
the DJ community & my aim from the beginning was to make music for the
DJs to play at the clubs & I was not trying to make an album & I was not
trying to make just listening music so I wanted all the DJs with my
respect out there to be playing my tracks, that was the criteria for how
was translated on the dance floor & how other DJs responded to it & also
maybe the plan was to just have that first chapter of the evolution
cycle of my new solo carrier.
Let
me ask a common question related to your last relations with "Sharam",
as many people ask what's up to this separation?
We are
cool as before & there are no problems. a lot of people want to suggest
that we are having problems but as you know we’ve been together for
fifteen years & its very natural to spread out & we will eventually get
back together in the near feature & we are hopeful to come to Iran &
entertain people.
How
do you feel about your home country "Iran" & do you still have
any interests in this country & the people, according to what you’ve
heard of the Electronic music activities in there?
I
don’t know any producers or DJs in Iran, and the way I feel is that,
it’s changed from the time I know before ,that was the time I came to
America & I haven’t been back since, of curse I've heard from family
members & I see them & they kindda film on how things are, but its hard
for me to connect, because its not the same thing I remembered before &
I'm an artist and at the end of the day I believe my freedom & in fact
that I can’t express my self in my own home country is really sad & I
hope in my life time if something happens, things changes & some one
like us can come & see my family & entertain & work, the way I work all
over the world, but in my own country.
Finally
may I ask you giving a message to the professional music community in
Iran, as you know they are waiting for this moment?
Of
curse, thanks for all your support & I hope like I said, one day I could
come there with Sharam, especially, & we can do the same we do
around the glob.
Thank you for your time Ali, we wish you achieving top ranks at the 2008
DJ awards.

This
interview including its photos are all exclusively done & belonged to:
Sound Planet- Tehran. All rights reserved- 2008.
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